Music |
The scream is often understood as the lack of, be it melody, tuning, breathing, singing skills or the lack of language, but in the following program we delve into the conception of the scream as the possibility of listening to another, another, what cannot be said, what does not work at an analytical level with the codes of language and music. We will find references and actions shouting or shouting such as the performances of Marina Abramovic and Ulay, the improvisations between the animal and the human by Beñat Achiary, the representation of the diabolical in the voices of Diamanda Galás, Patty Waters or Phil Minton or the various sound forms that the singer Mike Patton poses from music and the different aesthetic tendencies. From this unstable listening, given the material from which we started, only questions will arise that will rather make us think again of the scream as one more form of liberation of the being.
Music |
The scream is often understood as the lack of, be it melody, tuning, breathing, singing skills or the lack of language, but in the following program we delve into the conception of the scream as the possibility of listening to another, another, what cannot be said, what does not work at an analytical level with the codes of language and music. We will find references and actions shouting or shouting such as the performances of Marina Abramovic and Ulay, the improvisations between the animal and the human by Beñat Achiary, the representation of the diabolical in the voices of Diamanda Galás, Patty Waters or Phil Minton or the various sound forms that the singer Mike Patton poses from music and the different aesthetic tendencies. From this unstable listening, given the material from which we started, only questions will arise that will rather make us think again of the scream as one more form of liberation of the being.